quinta-feira, 13 de novembro de 2008

Gajas boas ( hot chicks )...

Blondie aka Debbie Harry


HEART OF GLASS
Once I had a love and it was a gas
Soon turned out had a heart of glass
Seemed like the real thing, only to find
Mucho mistrust, love's gone behind
Once I had a love and it was divine
Soon found out I was losing my mind
It seemed like the real thing but I was so blind
Mucho mistrust, love's gone behind
In between
What I find is pleasing and I'm feeling fine
Love is so confusing there's no peace of mind
If I fear I'm losing you it's just no good
You teasing like you do
(...)
Once I had a love and it was divine
Soon found out I was losing my mind
It seemed like the real thing but I was so blind
Mucho mistrust, love's gone behind
Lost inside
Adorable illusion and I cannot hide
I'm the one you're using, please don't push me aside
We coulda made it cruising, yeah
Yeah, riding high on love's true bluish light
(...)

from my personal vinyl collection and memories.

Sinthomas review:

photos by Manuel Simões e Cláudia...



NIGHTMARES... #2


In 2000, in the painting Waiting for God, I used for the first time a pin with a logo like a motive for my painting. This logo come from Aphex Twin aka Richard David James, an electronic musician and dj.
I decided to put this motive in my painting after watching Come to Daddy, the orgiastic mind-fuck video directed by Chris Cunningham in 1997 to the music of Aphex Twin.

Aphex Twin's logo was created, not by Dan Parkes as some sources assert, but by designer Paul "Terratag" Nicholson in 1992. Nicholson: "Dan Parkes was the illustrator of the artwork that appeared on the "Ventolin" release. A s far as I know, that is the only artwork that Dan created for Richard. A little piece of trivia about the logo: at the time I met Richard, I had being doing artwork for a San Francisco-based skatewear label called Anarachic Adjustment. Their 'thing' at the time had been the whole "alien" vibe (remember, we are talking 1991). So, I had been creating loads of designs based around the letter 'A' which got knocked back. Richard, having seen the work in progress, liked where I was going with the amorphic shape and from these I developed what is now the Aphex 'A.' The logo was finished early 1992, in time to appear on the "Xylem Tube" sleeve." (1)
(1) information taken from pictograms.blogspot.com
Eight years later I revisited the lyrics of Come to Daddy in this recent nightmare drawing

quarta-feira, 12 de novembro de 2008

first cover 4 junky


1953 - Ace Double edition, credited to William Lee aka William S. Burroughs.

sábado, 8 de novembro de 2008

Evil needs to be pondered just as much as good, for good and evil are ultimately nothing but ideal extensions and abstractions of doing, and both belong to the chiaroscuro of life.

C. G. Jung in Psychology & Alchemy

TIGER 2004
pen drawing on paper
21 x 14.8 cm

blackats memorabilia


NIGHTMARES... #1

No outro dia fui ao meu clube de video com a intenção de alugar o dvd do filme Shortbus (2006) escrito e realizado por John Cameron Mitchell. Queria revê-lo, sofria de ennui gripal era de tarde e não me apetecia fazer nada.
-Estava fora! - disse a menina. E provavelmente não voltaria, já estava fora há muito tempo.
Voltei para casa a pensar nas palavras de Susannah Breslin no seu blog; http://www.reversecowgirlblog.blogspot.com/

I've seen all kinds of porn - mainstream porn, altporn, feminist porn, fetish porn, midget porn. In my opinion, porn is porn. Porn is a movie in which people are fucking, period. You can call it what you want, and spin it how you will, but at the end of the day you're watching people fuck for show, for money, for a living. Porn is a pretty rough trade, and no amount of spin can doctor that fact.

Restou-me, apenas, chegar a casa fazer um charuto e passar o resto da tarde a ouvir a Nazi Girlfriend do Iggy Pop:

I want to fuck her on the floor
Among my books of ancient lore
So I will make a full report
I got a Nazi Girlfriend

...



sexta-feira, 7 de novembro de 2008

POSTCARDS FROM... #1

Berlin 2008 - photos by José Elói


















In Berlin, by the wall
you were five foot ten inches tall
It was very nice
candlelight and Dubonnet on ice
We were in a small cafe
you could hear the guitars play
It was very nice
it was paradise
You're right and I'm wrong
hey babe, I'm gonna miss you now that you're gone
One sweet day
lyrics by Lou Reed in Berlin
dj nightmare's cut

bling bling...


DELUXE 2001
acrylic and spraypaint on canvas
100 x 70 cm
presented in Funny Games exhibition, Porto 2002

quarta-feira, 5 de novembro de 2008









CASUAL ART
Route A8 to Lisbon autoshots
21.10.2008

YES WE CAN...


SOMETIMES IT SNOWS IN APRIL 2000
acrylic on canvas
50 x 300 cm

sexta-feira, 31 de outubro de 2008

sonic déja vu with friends




GOO a nice record by Sonic Youth and a nice cover by Raymond Pettibon

WHITE HOUSE PETS

Caroline Kennedy's pet ducks waddle across the White House lawn, daughter of John F. Kennedy (1961 - 63).

Caroline and John Jr. and their pony, Macaroni.

President Lyndon B. Johnson (1963 - 68) and his beagles, Him and Her.

Amy Carter, daughter of Jimmy Carter (1977 - 81), hold her siamese cat, Misty Malarky Ying Yang.

President George H. W. Bush (1989 - 93) on the White House lawn with is springer spaniel, Millie. One of the puppies is Spot, President George W. Bush's dog, that lives at the White House today.



WHO'S NEXT ?


... a black cat?

special halloween


Miss Rabbit + Dj Nightmare carnaval 2003

CASUAL ART
Einstürzende Neubauten by miss Rabbit
Lavradio 12.10.2008
You will find me if you want me in the garden
unless it's pouring down with rain
You will find me waiting through spring and summer
You will find me waiting for the fall
You will find me waiting for the apples to riped
You will find me waiting for them to fall
You will find me by the banks of all four rivers
You will find me at the spring of consciouness
You will find me if you want me in the garden
unless it's pouring down with rain


lyrics by Blixa Bargeld from The Garden by Einstürzende Neubauten 1996

quarta-feira, 29 de outubro de 2008





CASUAL ART
Route A8 to Lisbon autoshots
21.10.2008

terça-feira, 28 de outubro de 2008

drawing by Raymond Pettibon


Untitled (Whether you want)
1986
Ink on paper
38.5 x 28 cm